Celebrate the rites of spring with a performance of Carl Orff’s boisterous Carmina Burana by the Harvard Glee Club, Radcliffe Choral Society, Harvard-Radcliffe Collegium Musicum, and Harvard-Radcliffe.

William Triplett REUNION — (At Ford’s Theatre through June 18) If documentary filmmaker Ken Burns ever wrote a musical, it might look and sound a lot like "Reunion. century staring him down from t.

and not necessarily suited to greater control of a production “just because it sounds fancy.” “In Italy, as here in France, there is a sort of bias against writers,” said Rampoldi. “We don’t consider.

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But Rocket to Russia, their greatest album, crystallized the sound. Here, their pneumatic attack is flawlessly defined across many of their best songs, e.g., ‘Cretin Hop,’ ‘Rockaway. by Paul Whitem.

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One of the most talked-about trends in film music is the relatively new practice of “striping” — recording sections of the orchestra separately to give filmmakers greater control of the score during d.

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“I have no idea what this is meant to sound like.”) This is sort of like an art critic trumpeting his glaucoma. Or like a restaurant reviewer who can’t stomach meat. Of course, Myers’ real target isn’.

You can bring a blanket to Brookdale Park and listen to The Jumpers Orchestra and The Shirelles as part of the Essex County Free SummerMusic Concert Series. Listening to “Will You Still Love Me Tomorr.

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As a conductor, his accomplishments have included tenures as associate conductor of the Baltimore Symphony and music director of the Annapolis Symphony Orchestra and the Tanglewood. the pearly beau.

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That’s crazy, of course — the dynamics through which we derive those predictions matters enormously. (I suspect that Weinberg was trying to emphasize that there may be formulations of the same underly.

The Royal Concergebouw Orchestra, Marcelo Ponce. A magnificent tapestry of sounds and images, this documentary interweaves multiple leitmotifs that flow through the film like familiar old friends,

So one night’s bill might include Miles Davis with Neil Young and Crazy Horse and the Steve Miller Band. Return to Forever, and the Mahavishnu Orchestra during the ensuing decade.

If it sounds interminable — and for viewers not on the film’s specific wavelength, even a minute of this stuff will be hard to take — rest assured that Miller proves himself a maestro not only when he.

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