Types Hexatonic. The hexatonic, or six-note, blues scale consists of the minor pentatonic scale plus the ♭ 5th degree of the original heptatonic scale. This added note can be spelled as either a ♭ 5 or a ♯ 4.

Repurposing all of your favorite pentatonic licks in different musical. are the major and minor pentatonic scales. These e.

This Eric Clapton style line is derived from the G minor pentatonic scale, using quarter tone and whole tone bends with a thi.

Repurposing all of your favorite pentatonic licks in different musical. are the major and minor pentatonic scales. These e.

Our first lick (Ex. 1) is based around a G minor pentatonic scale (G–Bb–C–D–F).For the first notes of measure one and measure three, use the slide to “bend” the note just a bit before the pull-offs. This works great over a G7 vamp.

Rather than it becoming a full-on shred moment (not that there is anything wrong with that, of course), the flurries should s.

Major/Minor Pentatonic Blues Soloing We all know that using the minor pentatonic scale sounds bloody marvellous when taking a blues solo, but there are times when using that scale alone doesn’t quite cut it.

hi griff please excuse large font but i am partially sighted i might be stupid and if i have got this wrong – please accept my apologise – but on the first scale diagram – e minor pentatonic is wrong – i think – you show a note ‘c’ on the g sting fret 5 and i think it should be a ‘b’ – to match the tab – the blues diagram further on shows this – and is.

Blues Guitar Lesson: The Minor Pentatonic Scale January 16, 2008 July 15, There are many popular licks you can play that come directly from this scale. I have created a course about how to play blues guitar using the minor pentatonic scale. Check out Blues Guitar Method 1.

The major pentatonic scale is mostly used in country, folk country rock, blues and jazz. It creates a more happy and uplifting sound. The shapes of the major pentatonic scale are exactly the same as those of the minor pentatonic scale, except the root note is located else where. Looking at it from.

Rather than it becoming a full-on shred moment (not that there is anything wrong with that, of course), the flurries should s.

Doc Watson California Blues Here’s hoping this national musical treasure recovers soon, so he can keep singing those Deep River Blues. Videos curated by Slate staff. Doc Watson, the
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Aug 05, 2018  · An interesting and useful feature of the minor pentatonic is that the notes work well over all 3 chords of a blues progression. For example, over a D chord, the D note of the A minor pentatonic is obviously the root, so it sounds good, but boring.

Finally, to derive the blues scale from the “A” minor pentatonic, you would just insert the flat 5 (Eb) into the “A” minor pentatonic scale. These are the notes in the “A” blues scale: If you want to derive the “C” minor pentatonic scale from a “C” major scale, the numbers would be:

Blues Licks Using E Minor Pentatonic and A Minor Pentatonic Scales Here is a simple lesson to get you working on your E minor and A minor Pentatonic scales in 1st position. These are very useful scales for beginning to improvise!

Now theoretically, the pentatonic is split into two scales: major and minor. For these licks however, I’ll be using a hermaphrodite version of the scale, blending both minor and major notes to demonstrate how to make the most out of the box exercise.

The Lydian dominant scale is the 4th mode of melodic minor and is used to solo over dominant chords when you want to bring out a 7#11 sound in your lines. Used mostly in jazz and fusion solos, Lydian dominant is also found in blues and rock solos when guitarists want to step outside the musical box.

Blues scale is the pentatonic scale with one more note (added in the scale). This note is known as “ Blue note ” and it is the flattened fifth in the case of the minor pentatonic, or the flattened third in the case of the major pentatonic.

Unlike other scales, which often have seven or more notes, the pentatonic scale consists of just five notes. It produces two types of tonalities — major and minor and is one of the most commonly used scales in blues, pop and rock.

Learn to play 50 Cool Blues Licks that you can use for your own solos and improvisation. Explained SLOWLY and in CLOSE UP so everything is real easy to follow and understand. You can use the play along tracks to practice with.

Mixing staccato and legato phrasing approaches, within the standard minor pentatonic box, reflects the general approach all rock and blues players use most often (FIGURE. in terms of small box area.

This was a very pleasant suprize i really enjoyed this dvd.It challenges you to learn and play these very usable and desireable blues licks.In this dvd are the great turnaround lick’s that have been used for years on some of the best blues solo’s , I instantly began using what i had learned from this dvd in my solo’s.

There’s a huge number of reasons a million blues songs have been in the key of G, and just one is that it’s the lowest key you can play all the notes of the Pentatonic scale above and below the tonic note…

Once you’re comfortable finding this 7th chord in any key, the next step would be to work on the Mixolydian, major pentatonic, and minor/blues pentatonic scale in that position. Previous 1 2 Next Levi Clay is a London-based guitar player, teacher, and transcriber.

There is a way to take a pentatonic scale that does contain the 3rd, but you need to use a minor 6th pentatonic scale, something I made a lesson on here: Minor 6th Pentatonic scale But in this lesson I chose to use the good old pentatonic scale that we are all familiar with, maybe I can return to the min6th pentatonic scale in later lessons.

Lick of the Week Banjo Video Lessons by John Boulding. This reference list has been compiled by Jack Suter of JSuterGraphix.com, (AKA Banjo Hangout member JackJack) with permission from John Boulding. If you should discover any broken links, be sure to let me know.Thanks!

Throughout the DVD lessons we teach you not just licks, but how to “learn from the lick” – what scale is the lick from, how it is used, how to turn one lick into ten licks using variation. So remember to learn

Mixing staccato and legato phrasing approaches, within the standard minor pentatonic box, reflects the general approach all rock and blues players use most often (FIGURE. in terms of small box area.

This Eric Clapton style line is derived from the G minor pentatonic scale, using quarter tone and whole tone bends with a thi.